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YOU'RE GOING TO LOSE THAT GIRL (Bassline)
As recorded by The Beatles
(From the 1965 Album HELP!)
Words and Music by John Lennon & Paul McCartney
Transcribed by Slowhand
Gtr I (E A D G) - 'Paul McCartney - Bass'
Chorus
Q=142
4/4
Gtr I
Q. E +Q Q Q. E +H Q. E +H
||-----------------|---------------|---------------|
||o----------------|---------------|---------------|
||o----------------|-4----4-(4)----|---------------|
||--0----0-(0)-----|---------------|-2----2-(2)----|
1st - 3rd Verses
$
Q. E +H Q. E H Q. E H
|---------------||-------------|-------------|
|---------------||-------------|-------------|
|-2----2-(2)----||-------------|-------------|
|---------------||-0----0-0----|-4----4-4----|
Q. E H Q. E E E E E Q. E Q Q
|-------------|----------------|--------------|
|-------------|--------------1-|-2----2-------|
|-------------|-2----2-2-2-4---|--------2-----|
|-2----2-2----|----------------|--------------|
Q. E Q Q Q. E Q Q Q. E E E E E
|--------------|--------------|-----------------||
|--------------|--------------|--------------1-o||
|--------6-----|--------4-----|-2----2-2-2-4---o||
|-4----4-------|-2----2-------|-----------------||
Chorus
Q Q Q Q Q Q E E E E Q Q Q Q Q Q Q Q
||--------------|---------------|-------------|-------------|
||o-2--2-----2--|---------------|-------------|-------------|
||o-------2-----|-4--4------4---|-------4-----|-2--2-----2--|
||--------------|-------4-4---4-|-2--2-----2--|-------2-----|
Bridge
To Coda
Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
|-------------|-------------||-------------|-------------|
|-------------|-------------||-------------|-------------|
|-------4-----|-5--5-----5--||-------5-----|-3--3-----3--|
|-2--2-----2--|-------5-----||-3--3-----3--|-------3-----|
Q Q a Q Q Q Q a Q Q Q Q Q Q Q Q Q Q
|---------------|---------------|-------------|---------------|
|---------------|---------------|-------------|---------------|
|-------3s5--5--|-------3s5--5--|-------5-----|-3--3-----3----|
|-3--3----------|-3--3----------|-3--3-----3--|-------3-------|
Guitar Solo
1.
Q Q Q Q Q. E Q E E Q Q E E E E
|-------------||---------------|---------------|
|-------------||---------------|---------------|
|-------3-----||--------2------|-------6-6-----|
|-1--1-----1--||-0----0----0-2-|-4--4------4-3-|
Q Q Q Q Q Q E E E E Q Q Q E E
|-------------|---------------|--------------|
|-------------|---------------|--------------|
|-------4-----|-2--2--2-0-----|-------2------|
|-2--2-----2--|-----------4-2-|-0--0-----0-2-|
2.
D.S. al Coda
Q Q Q Q Q Q Q Q Q Q E E E E Q Q Q Q
|-------------|-------------|----------------||--------------||
|-------------|-------------|-------------1-o||--------------||
|-------6-----|-------4-----|-2--2----2-4---o||-------3------||
|-4--4-----4--|-2--2-----2--|-------2--------||-1--1-----1---||
Outro
&
Q Q Q Q W +W
|-------------|----------|--------*|
|-------------|----------|--------*|
|-5--5--------|----------|--------*|
|-------5--5--|-0--------|-(0)----*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths