Shadows - 1861

1861 (Bassline) As recorded by The Shadows (From the 1962 Album OUT OF THE SHADOWS) Music by Hank Marvin, Bruce Welch & Brian Bennett Transcribed by Slowhand Gtr I (D A D G) - 'Jet Harris - Bass' Q=124 Gtr I Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------|-------------|| |-------------|-------------|-------------|-------------|| |-3--3--0--0--|-3--3--0--0--|-3--3--0--0--|-3--3--0-----|| |-------------|-------------|-------------|----------5--|| $ Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------|-------------| |----5--------|----2--------|-2--2--------|-------------| |-3-----3--3--|-0-----0--0--|-------3--3--|-1--1--------| |-------------|-------------|-------------|-------5--5--| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------|-------------|| |----5--------|-3-----3--3--|-------2--2--|-------5--5--|| |-3-----3--3--|----3--------|-3--3--------|-5--5--------|| |-------------|-------------|-------------|-------------|| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------|-------------| |----5--------|----2--------|-2--2--------|-------------| |-3-----3--3--|-0-----0--0--|-------3--3--|-1--1--------| |-------------|-------------|-------------|-------5--5--| To Coda Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------|-------------|| |----5--------|-3-----3--3--|-------2--2--|-------5--5--|| |-3-----3--3--|----3--------|-3--3--------|-5--5--------|| |-------------|-------------|-------------|-------------|| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------||-2--2--0--0--|----4--0-----| |-------------|----------2--||-------------|-2--------2--| |-3--3--0--0--|-3--3--0-----||-------------|-------------| |-------------|-------------||-------------|-------------| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-2--2--0-----|-2-----2-----|-2--2--0--0--|-------------| |----------2--|----2-----2--|-------------|-2--2--0--0--| |-------------|-------------|-------------|-------------| |-------------|-------------|-------------|-------------| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------||-------------|-------------| |-2-----2--2--|-------5--5--||-------------|----2--------| |----2--------|-5--5--------||-3-----3--3--|-0-----0--0--| |-------------|-------------||----5--------|-------------| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------|-------------| |-2--2--------|-------------|----5--------|-3-----3--3--| |-------3--3--|-1--1--------|-3-----3--3--|----3--------| |-------------|-------5--5--|-------------|-------------| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------||-------------|-------------|| |-------2--2--|-------5--5--||-------------|----------2--|| |-3--3--------|-5--5--------||-3--3--0--0--|-3--3--0-----|| |-------------|-------------||-------------|-------------|| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-2--2--0--0--|----4--0-----|-2--2--0-----|-2-----2-----| |-------------|-2--------2--|----------2--|----2-----2--| |-------------|-------------|-------------|-------------| |-------------|-------------|-------------|-------------| D.S. al Coda Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-2--2--0--0--|-------------|-------------|-------------|| |-------------|-2--2--0--0--|-2-----2--2--|-------5--5--|| |-------------|-------------|----2--------|-5--5--------|| |-------------|-------------|-------------|-------------|| & Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------|-------------| |-------------|-------------|-2-----2--2--|-------5--5--| |-3--3--0--0--|-3--3--0--0--|----2--------|-5--5--------| |-------------|-------------|-------------|-------------| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------|-------------| |-------------|-------------|-2-----2--2--|-------5--5--| |-3--3--0--0--|-3--3--0--0--|----2--------|-5--5--------| |-------------|-------------|-------------|-------------| Q Q Q Q Q Q Q Q Q Q Q Q E E Q H +W |-------------|-------------|-------------|-------------|--------*| |-------------|-------------|-------------|-------------|--------*| |-3--3--0--0--|-3--3--0--0--|-3--3--0--0--|-3------3----|-(3)----*| |-------------|-------------|-------------|-------------|--------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths