Autoscroll
1 Column 
Text size
Transpose 0
--------------------------------------------------------------------------- Average Person – Paul McCartney --------------------------------------------------------------------------- Tabbed by: maguri Tuning: Standard Paul McCartney Average Person (1983) (McCartney) From: "Pipes of Peace" I added some split chords (the bass does amazing things on this recording!). But it is of course possible to play the regular shapes as well for the sake of convenience. ;) --------------------------------------------------------------------------- CHORDS E-A-D-G-B-e Em7 0-2-2-0-3-0 E7 0-2-2-1-3-0 Emadd11(no5) x-x-2-2-5-3 or (easier but works, too): x-x-x-0-5-3 A/C# x-4-2-2-2(0) Dm/B x-2-x-2-3-1 or (= Bm7b5): x-2-3-2-3-x Fmaj7 1-x-2-2-1-0 Cmaj7 x-3-2-0-0-0 E7sus4 0-2-2-2-3-0 F(add9) (t)1-x-3-2-1-3 --------------------------------------------------------------------------- INTRO (fade in: C/D - G) | A | % | CHORUS
ALook at the Daverage Aperson Em7Speak to the man in the E7street A D A /B C Can you imagine the first one you'd meet?
INTERLUDE | C | C /B | A | A /B | | C | C /B | A | A | A | % | | A | % | % | % | VERSE
Well, I'm Atalking to a former engine driver (DmDri-Aver) A | A Dm A | Trying to find out what he used to do DmTells me that he always kept his engine (Emadd11En - Dmgine) ASpit and polished up as good as new Em7But he said his only great amE7bition AWas to work with lions in a Dmaj7zoo AOh, to work with lions in a Dmaj7zoo
DmYes dA/C#ear, Dm/Byou heard Aright Dmtold me his amA/C#bition was to Bmwork with Elions every nAight
INTERLUDE | Dm A/C# | Dm/B A | | Dm A/C# | Bm E | A | | A | % | CHORUS
ALook at the Daverage Aperson Em7Speak to the man in the E7street A D A /B C Can you imagine the first one you'd meet?
INTERLUDE | C | C /B | A | A /B | | C | C /B | A | A | A | % | VERSE
Well, I meAt a woman working as a waitress (DmWaitAress) A | A Dm A | I asked exactly what it was she did DmSaid she worked the summer crowd at seasides (Emadd11Sea - Dmsides) AWinter time she ran away and hid Em7Once she had a Hollywood auE7dition ABut the part was given to a Dmaj7kid AYes, the part was given to a Dmaj7kid
DmYes, A/C#Sir, Dm/Byou heard Aright DmHollywood amA/C#bition made a Bmstarlet Egrow up overAnight
INTERLUDE | Dm A/C# | Dm/B A | | Dm A/C# | Bm E | PART | Fmaj7 | % | Cmaj7 | % | | Gm7 | % | Fmaj7 | % | | E7sus4 | % | E | % | | E7sus4 | % | E | E [break] | VERSE
Well, I Abumped into a man who'd been a boxer (DmBo-Axer) A | A Dm A | Asked him what had been his greatest night He Dmlooked into the corners of his mem’ryEmadd11 (Mem’Dm - ry) ASearching for a picture of a fight Em7But he said he always had a E7feeling AThat he lacked a little extra Dmaj7height (ACould have used a little extra Dmaj7height) DmYes A/C#mate, Dm/Byou heard Aright He Dmalways had a A/C#feeling that heBm might have Elacked a little Aheight
INTERLUDE | Dm A/C# | Dm/B A | | Dm A/C# | Bm E | A | SOLO | Dm A/C# | Dm/B A | | Dm A/C# | Bm E | CHORUS
ALook at the Daverage Aperson Em7Speak to the man in the E7queue A D A /B C Can you imagine the first one is you?
INTERLUDE | C | C /B | A | A /B | | C | C /B | A | A /B | (half-time) | C | C /B | A | A /G | | Fadd9 | % | CODA (ritardando)
ALook at the Daverage Aperson