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About You (Paul McCartney) (A Capella) A-One-Two-Three-Four 4/4 —— |Bm |Em | . You give me power to get out of bed 4/4 —— |Bm |Em | . When in the mornin' I'm feeling dead 4/4 —— 6/4 —— |D |G |F# Livin' and lovin', there's a lot to be said it's true . . . . . 2/4 —— 6/4 —— |D A |Bm Em | Gonna say it about you . . . . . 2/4 —— 6/4 —— 2/4 —— |D A |Bm Em |D A | Say it about you . . . . . . . 4/4 —— |Bm |Em | . Out of the darkness and into the light 4/4 —— |Bm |Em | . Straight to the center . of everything right 4/4 —— 6/4 —— |D |G |F# Darlin' don't worry, the sky will be bright and blue . . . . . 2/4 —— 6/4 ————— |D A |Bm Em When I say it about you . . . . . 2/4 —— 6/4 —— |D A |Bm Em Gonna say it about you . oh, yeah . . 2/4 —— 4/4 —— |D A |Bm | I'll say it about you . . . Bridge: 4/4 —— |F#m |F#m Bm F#m |Em |Em Em Bm | . . . . . . . & . . . . . . . . & . 4/4 —— |F#m |F#m Bm F#m |Em |Em | . . . . . . . & . . . . . . . . . 4/4 —— |Bm (off on one) |Em | When did you teach me to fly through the air? 4/4 —— |Bm |Em | Ah, sooner or later . all will be there 4/4 —— 6/4 —— |D |G |F# I read the headlines, now I can swear it's true . . . . . 2/4 —— 6/4 ————— |D A |Bm Em And they say it about you . . . . . 2/4 —— 6/4 —— |D A |Bm Em Gonna say it about you . . . . . 2/4 —— 6/4 —— |D A |Bm Em Gonna say it about you . . . . . 2/4 —— 6/4 —— |D A |Bm Em Gonna say it about you . . . . . 2/4 —— 4/4 —— |D A | |Bm |Em | Gonna say it about . . . . (you) . . . . . . . (Bass line:) (b) . . . (e) (f#) (g) (d) Outro (as above): |Bm . . . |Em . . . |Bm . . . |Em . . . |Bm . . . |Em . . . | |Bm . . . |Em . . . |Bm <> | Charted by Dexex Notes: - This song features some change ups in the time signature. What I'm counting as 6/4 might actually be a measure of 4/4 and a measure of 2/4. But it's close enough for rock and roll. - In the bridge, I play a B5 instead of a Bm because it's faster for me than playing a barre chord. - I write chord charts for my own use as a rhythm guitarist. I don't claim they are the "right" way. They're not intended to be taken as tabs - which notate exactly how a song was played on a recording.