LOVELY TO SEE YOU (Bassline) As recorded by Moody Blues (From the 1969 Album ON THE THRESHOLD OF A DREAM) Words and Music by Justin Hayward Transcribed by Slowhand Gtr I (E A D G) - 'John Lodge - Bass' Intro & Interlude Q=129 $ 4/4 Gtr I H. Q E E E E E E E E E E E E E E E E ||-------------|-----------------|-----------------| ||o------------|-------2-4-2-----|-----------------| ||o------------|-0-0-4-------4-0-|-------2-4-2-----| ||--0----------|-----------------|-0-0-4-------2-0-| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|------------------| |-------2-4-2-----|-----------------|-------2---------|------------------| |-0-0-4-------4-0-|-------2-4-2-----|-0-0-4---0-0-1-2-|-------2-4-2-2-2--| |-----------------|-0-0-4-------2-0-|-----------------|-0-0-4------------| 1st - 3rd Verses Q E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |----------------||-----------------|-----------------|------------------| |------2---------||---------2-------|---------2-------|---------2--------| |-0--4---0-0-1-2-||-------2-------2-|-------2-------2-|-------2----------| |----------------||-0-0-4-----0-4---|-0-0-4-----0-4---|-0-0-4-----0-4-0--| Chorus E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E Q |-----------------||-------2---------|-------2-------2-|-----------------| |---------2-------||-----2-------2-0-|-----2-------2---|---------2---2---| |-------2-------2-||-0-4-----0-4-----|-0-4-----0-4-----|-------2---4-----| |-0-0-4-----0-4---||-----------------|-----------------|-0-0-4-----------| To Coda E E E E E E Q E E E E E E E E E E E E E E E E E E E E E E Q |----------------|-------2---------|-------2-------2--|----------------| |---------2---2--|-----2-------2-0-|-----2-------2----|---------2---2--| |-------2---4----|-0-4-----0-4-----|-0-4-----0-4------|-------2---4----| |-0-0-4----------|-----------------|------------------|-0-0-4----------| Bridge 1. 2. E E E E E E Q E E E E E E Q Q E E E Q E Q E E E E E E |-----------------||----------------||---------------|----------------| |---------2---2--o||---------2---2--||---------------|----------------| |-------2---4----o||-------2---4----||---------------|----------------| |-0-0-4-----------||-0-0-4----------||-1----1-1-1----|-3----3-3-3-3-3-| Q. E E Q E Q E E E Q E Q E E Q Q Q E E +E E E E |---------------|---------------|--------------|------------------| |---------------|---------------|--------------|------------------| |---------------|---------------|--------------|------------------| |-1----1-1-1--1-|-3----3-3-3--3-|-1----1-1--1--|-0--0-0-(0)-0-0-0-| D.S. al Coda & Q Q Q Q q q q q E E E E E E Q E E E E E E Q |-0--2--2--2--|-------------||----------------|-----------------|| |-------------|-------------||---------2---2--|---------2---2---|| |-------------|-0--0--0--0--||-------2---4----|-------2---4-----|| |-------------|-------------||-0-0-4----------|-0-0-4-----------|| Outro E E E E E E E E +E E E E E E E E E E E E E E E E +E E E E E E E E |-----------------|-------------------|-----------------|--------------------| |-----------------|---------2-4-2-----|-----------------|---------2-4-2------| |-------2-4-2---0-|-(0)-0-4-------4-0-|-------2-4-2---0-|-(0)-0-4-------4-0--| |-0-0-4-------2---|-------------------|-0-0-4-------2---|--------------------| E E E E E E E E +E E E E E E E E E E E E E E E E +E E E E E E E E |-----------------|-------------------|-----------------|--------------------| |-----------------|---------2---------|-----------------|---------2----------| |-------2-4-2---0-|-(0)-0-4---0-0-1-2-|-------2-4-2-2-0-|-(0)-0-4---0-0-1-2--| |-0-0-4-------2---|-------------------|-0-0-4-----------|--------------------| E E E E E E E E +E E E E E E E E E E E E E E E E |-----------------|-------------------|-----------------| |-----------------|---------2-4-2-----|-----------------| |-------2-4-2---0-|-(0)-0-4-------4-0-|-------2-4-2---0-| |-0-0-4-------2---|-------------------|-0-0-4-------2---| +E E E E E E E E E E E E E E E E +E E E E E E E E |-------------------|-----------------|-------------------*| |---------2-4-2-----|-----------------|---------2-4-2-----*| |-(0)-0-4-------4-0-|-------2-4-2---0-|-(0)-0-4-------4-0-*| |-------------------|-0-0-4-------2---|-------------------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths