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INTRO: Bm F#m/C# |: F#, B, F#, B... :| <= (Play as individual notes)
I've got Bmchills, they're multiBmplying. And I'm Glosing conDtrol. 'Cause the F#power you're suppGlying, Is electriBmfying Bm
You better shape Dup, 'cause you F#need a man G And my heart is set on Bmyou. You better shape Dup, you better F#understand G To my heart I must be Bmtrue.
Oh, you're the Done that I want, G (D, C#, B, A, F#, E, D, C#, A) <= (Individual notes, bass walkdown ending on A chord) The one that I want, The one that I need.
If you're Bmfeeling some afBmfection, That's too Ghard to conDvey. MediF#tated by dirGection. Baby feel your Bmweight. Bm
You better shape Dup, 'cause you F#need a man G And my heart is set on Bmyou. You better shape Dup, you better F#understand G To my heart I must be Bmtrue.
Oh, you're the Bmone that I want, D The Done that I want, D The Done that I want. D (And my Dheart is set on you) The one that I Aneed.
(NOTE: Bm7 can also be used in most parts of the outro in place of the Bm or some of the Ds)