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Capo: 5
MONKEY & BEAR – JOANNA NEWSOM This one takes a bit of practise. If the chords don’t sound quite right, have a listen to the individual notes that Joanna The Cm section is technically correct, it’s just a little difficult to explain. Don’t the Cm as a barre chord, play it like this : x310xx so that the Eb (or the ‘1’) moves up an E when you play the C chord. That entire chord section is used to illustrate that which is awkward to transcribe to guitar. It works though, just give it a bit of work. CAPO 5 (Am G F down in the green hay A G D) where monkey and bear usually lay
they Amwoke from a Fstable-boy'sAm cry he said; sAmomeone Gcome Fquick! the Ahorses got lGoose, got gDrass-sick! they'll Amfounder! Ffain, they'll Amdie
Cmwhat is Cnow known Cadd9by the Esorrel Esus4and the Eroan? Esus4 E Esus4 Eadd9 E Eby the chestnut, and the bay, and the gelding grey?
it is: Amstay by the gGate you are Dgiven and Cremain in yourG place, for your Fseason and had the oAmverfed Gdead but Clistened to that Fhigh-fence, Ghorse-sense, Awisdom...
Am"did you hGear thFat, Bear?&qDuot; said monkey we'll gGet out Dof here, fair and D/Asquare they've lAmeft the Fgate openAm wide!
Amso; my bDride Amhere is my hand, where Dis your paw? Amtry and understand my pDlan, Ursala Ammy heart is a fDurnace Amfull of love that's just, and Dearnest now; yAmou know that we must uDnlearn this Amallegiance to a life of Dservice and no lAmonger answer to that hDeartless hay-mAmonger, nor be his acDcomplice (that Amcharlatan, with artless hDustling!) but; UAmrsala, we've got to eat soDmething and Amearn our keep, while Dstill within Am D the borders of the land that man has girded (all Amdouble-bolted and Dtightfisted!) Amuntil we reach the Dopen country Ama-steeped in milk and Dhoney
Am D will you keep your fancy clothes on, for me? Am D can you bear a little longer to wear that leash? Am D my love, I swear by the air I breathe:
Amsooner or lCater, you'll Fbare your tAmeeth but for Amnow, just dance, Ddarling Amc'mon, will you dance, my dEarling? Amdarling, there's a Cplace for us can we Fgo, before I Dturn to dust? Amoh my dCarling, there's a Fplace for Amus Amoh dDarling Am E c'mon will you dance, my darling? oh, thAme hills are groaningC with excess like aF table ceaselessly bDeing set Amoh my darCling, we will Fget there Amyet
Amthey trooped pGast the gFuards, A G D (F, G) past the coops, and the fields, and the farmyards allAm night, till fFinalAmly:
the Amspace they Ggained Fgrew A G D (F, G) much farther than the stone that bear threw to Ammark where they'd Fstop for tAmea
butCm walk a Clittle fasCadd9ter and Edon't Esus4look bEackEsus4wards E Esus4 E Eadd9 E yoEadd9ur feast is to the East, which lies a little past the Epasture
when the bAmlackbirds hear tea wGhistling, they Frise and clap and their aCpplause caws the Gkettle bFlack and we Amcan't have Gnone of tChat!
move Amalong, Bear; thGere, there; Dthat�s that (thoughAm cast in GplastFer A G D (F, G) our Ursala's heart beat faster than Ammonkey's eFver wAmill)
Ambut sDtill; Am D they have got to pay the bills Amhadn't Dthey? Amthat is what the Dmonkey'd say
Amso, with the cDourage of a cAmlown, or a cur or a Dkite, jerking tight at its tAmether in herD dun-brown gown ofAm fur and her jerkin ofD swan's down and leAmather
Bear would Dsway on her hind lAmegs; the organ would grind dreDgs of song, for the plAmeasure of the Dchildren, who'd shriek throwiAmng coins at her feet then reDcoiling in tAmerror
sing, dance, Ddarling Amc'mon, will you dance, mEy darling? Amoh darling, there's a Cplace for us can we Fgo, before I Dturn to dust? Amoh my Cdarling, there&#F65533;s a pAmlace for us
Amoh dDarling Am E c'mon, will you dance, my darling? you keep yourAm eyes fixed on the highest Chill where you'll Fever-after eDat your fill Amoh my Cdarling, Fdear, miDne if you dAmance dance, Cdarling, and i Flove you sAmtill
Amdeep in the night shone a weak and miserly light where the monkey shouldered his lamp someone had told him the bear had been wandering a fair piece away from where they were camped someone had told him the bear'd been sneaking away to the seaside caverns, to bathe and the thought troubled the monkey for he was afraid of spelunking down in those caves also afraid what the village people would say if they saw the bear in that state; lolling and splashing obscenely well, it seemed irrational, really; washing that face washing that matted and flea-bit pelt in some sea-spit-shine, old kelp dripping with brine but monkey just laughed, and he muttered; when she comes back, Ursala will be bursting with pride 'til I jump up! saying: you've been rolling in muck! saying: you smell of garbage and grime! but far out far out by now by now far out, by now, Bear ploughed 'cause she would not drown: first the outside-legs of the bear up and fell down, in the water, like knobby garters then the outside-arms of the bear fell off, as easy as if sloughed from boiled tomatoes low'red in a genteel curtsy bear shed the mantle of her diluvian shoulders; and, with a sigh, she allowed the burden of belly to drop like an apronfull of boulders if you could hold up her threadbare coat to the light where it's worn translucent in places you'd see spots where almost every night of the year Bear had been mending suspending that baseness now her coat drags through the water bagging, with a life's-worth of hunger, limitless minnows in the magnetic embrace balletic and glacial of Bear's insatiable shadow left there! left there! when Bear left Bear left there! left there! when Bear stepped clear of Bear
Am, G, F, A, G, D (F, Am, F, G
(Amsooner or lCater, you'll Fbare your teAmeth...)