Autoscroll
1 Column 
Text size
Transpose 0
Tabbed by Taz Mckell and Edited and Revised by Mark Dalgarno, enjoy! MINSTREL IN THE GALLERY electric part chords
Esus4The miEnstrel in tBhe galGleDry looked down upon the smiliAng faces. A HEe met the gazeAs B--- observed the spGacDes between the old mAen's cackle. AThEen he brewed a sonAg Bof love and hatreGd-D-obliquesuggestions and hAe waited. AHeE polarized AthBe pumpkin-eaters G--D- static-humminAg panel-beaters ---
BmThe miEnstrel in the AgalF#mlery loDoked down oEn the rabbit-F#mrun. DAnd thrEew away his loAokingF#m-glass - sDaw hisE face in everF#myoneE. (REST THE SAME)
He pacified the nappy-suffering, infant-bleating one-line jokers --- T.V. documentary makers (overfed and undertakers). Sunday paper backgammon players --- family-scarred and women-haters. Then he called the band down to the stage and he looked at all the friends he'd made. The minstrel in the gallery looked down on the rabbit-run. And threw away his looking-glass - saw his face in everyone. ACUSTIC PART capo2
AThe minsAmtrel in the gCalleFry Glooked down upDon the smiling GfaAces. HFe met the gaCzes --- observed the sFpaGces bDetween the old men's caGckAle. AHe brewed a Amsong of loCve and FhatGred --- oGblique suggestDions --- and heG wAaited. FHe polaCrized the pFumpGkinC-eaters --- sFtaCtic-humGming Gpanel-beateCrs --- FfreshlyC day-glow'd fFactorGy cheatCers G (salaried anDd collar-scrubbGinAg). (REST THE SAME)
He titillated men-of-action --- belly warming, hands still rubbing on the parts they never mention. He pacified the nappy-suffering, infant-bleating one-line jokers --- T.V. documentary makers (overfed and undertakers). Sunday paper backgammon players --- family-scarred and women-haters.
Then he Fcalled the Cband doFwn tGo theC stage and hFe looked at alEml the frDmiends hAme'dAm/G madeAm/F#. F A
MINSTREL IN THE GALLERY electric part chords
Esus4The miEnstrel in tBhe galGleDry looked down upon the smiliAng faces. A HEe met the gazeAs B--- observed the spGacDes between the old mAen's cackle. AThEen he brewed a sonAg Bof love and hatreGd-D-obliquesuggestions and hAe waited. AHeE polarized AthBe pumpkin-eaters G--D- static-humminAg panel-beaters ---
BmThe miEnstrel in the AgalF#mlery loDoked down oEn the rabbit-F#mrun. DAnd thrEew away his loAokingF#m-glass - sDaw hisE face in everF#myoneE. (REST THE SAME)
He pacified the nappy-suffering, infant-bleating one-line jokers --- T.V. documentary makers (overfed and undertakers). Sunday paper backgammon players --- family-scarred and women-haters. Then he called the band down to the stage and he looked at all the friends he'd made. The minstrel in the gallery looked down on the rabbit-run. And threw away his looking-glass - saw his face in everyone. ACUSTIC PART capo2
AThe minsAmtrel in the gCalleFry Glooked down upDon the smiling GfaAces. HFe met the gaCzes --- observed the sFpaGces bDetween the old men's caGckAle. AHe brewed a Amsong of loCve and FhatGred --- oGblique suggestDions --- and heG wAaited. FHe polaCrized the pFumpGkinC-eaters --- sFtaCtic-humGming Gpanel-beateCrs --- FfreshlyC day-glow'd fFactorGy cheatCers G (salaried anDd collar-scrubbGinAg). (REST THE SAME)
He titillated men-of-action --- belly warming, hands still rubbing on the parts they never mention. He pacified the nappy-suffering, infant-bleating one-line jokers --- T.V. documentary makers (overfed and undertakers). Sunday paper backgammon players --- family-scarred and women-haters.
Then he Fcalled the Cband doFwn tGo theC stage and hFe looked at alEml the frDmiends hAme'dAm/G madeAm/F#. F A
Black Satin Dancer
BbCome, let me Fplay with you, Cblack satin dGancFerG. BbIn all your gFiving, Cgiven is the GanswFerG.
BbTearing Flife from limb Cand looking sweGeteFr G Bbthan the Fbrightest flCower in my gGardFen.G BbBegging your paFrdon --- sheddiCng right unrGeasonF. G BbOver sensFation fly thCe fleeting seasonGs. F G AmThin wind whGispering on bAmroken maBbndoEblin. BbBending the Fminutes --- the hoCurs ever turniGngF on that Dmold gCold story of merFcy. CDesperate bFreathing. TBbongue nEbipple-teCasing. Your fGmast river floDmwing --- your norBbthern Ffire fCed. Come, bDmlack satin dGmancer, come sCoftly to beAmd. Am/G Am/F# F
Requiem CAPO 3 C Am D G D Em Em/D Well, I saw a bird today --- flying from a bush
Cand the wiAmnd blew it awDayDsus4. Bm E7 A C#m F#m F#m/E And the black-eyed mother sun scorched the butterfly at play D Bm E E7/D --- velvet veined. I saw it burn. CWith a wAmintry storm-blown Gsigh, aF silver cDmloud blew right on Cby. G Em D Dsus4 G G/F# Em Em/D C And, taking in the morning, I sang --- O Requiem.
(REST THE SAME) Well, my lady told me, ''Stay.'' I looked aside and walked away along the Strand. But I didn't say a word, as the train time-table blurred close behind the taxi stand. Saw her face in the tear-drop black cab window. Fading in the traffic; watched her go. And taking in the morning, heard myself singing --- O Requiem. Here I go again. It's the same old story. Well, I saw a bird today --- I looked aside and walked away along the Strand. One White Duck Capo: 4th fret. 3/4 time Intro: =========== 4th fr (capo) | | | | | | ----------- | | | | | | --X-X------ | | | | | | ----------X | | | | | | ----------- | | | | | | [4 bars, strum = whole chord 2-and-3-and = 3rd,2nd,1st string strum pluck = 4th string] strum-and-2-and-3-and pluck-and-2-and-3-and pluck-and-2-and-3-and pluck-and-2-and-3-and =========== 4th fr (capo) | | | | | | ----------- | | | | | | ----X------ | | | | | | --X-----X-- | | | | | | ----------- [4 bars, pluck = 5th string] pluck-and-2-and-3-and pluck-and-2-and-3-and pluck-and-2-and-3-and pluck-and-2-and [fill drops into song] (p = pull-off, h = hammer-on, dn = down strum (low to high), up = up strum (high to low)) C p G Gdn Gup h Gdn Gup 3 & 1 & 2 & 3 & 1 & 2 & 3 & 1 & 2 & E|-----------------------------------------1---1-------------------1---1-- B|-----------------------------------------0---0-------------------0---0-- G|-----------------------------------------0---0-------------------0---0-- D|-2-----------2-0-----0-------0-----------0---0-----------0-------0---0-- A|-----------------3-------2---------------2---2---0---2-----------2---2-- E|---------------------------------3-------3---3-------------------3---3-- (^ hold G (3-2-1) and just lift 2) h Gdn Gup h Gdn Gup h 3 & 1 & 2 & 3 & 1 & 2 & 3 & 1 & 2 & E|-----------------1---1-------------------1---1------------ B|-----------------0---0-------------------0---0------------ G|-----------------0---0-------------------0---0------------ D|-----------------0---0-----------0-------0---0------------ etc. A|-0---2-----------2---2---0---2-----------2---2---0---2---- E|---------3-------3---3-------------------3---3-----------3 [Note: Ian Anderson usually plays a D chord thusly: D(IA) hold sus E|-2--------3--2--0--2-- B|-3--------3--3--3--3-- G|-2--------2--2--2--2-- D|-0--------0--0--0--0-- A|-x--------x--x--x--x-- E|-x--------x--x--x--x-- Throw this in wherever a D chord ends a phrase] There's a G C D(IA) G haze on the skyline to wish me on my way and there's a note on the telephone C D(IA) some roses on a tray
And the motorway's Cstretching D Emright Dout to us Emall D as I pull on my Cold wings DOne EmWhite DDuck on your Emwall Isn't it Bbjust to damn Amreal' One White Duck on your Dwall Am one duck on your Dwall Am G
I'll catch a ride on your violin strung up on your bow and I'll float on your melody sing your chorus soft and low There's a picture-view postcard to say that I called You can see from the fireplace One White Duck on your wall Isn't it just too damn real' One White Duck on your wall
One duck on your Dwall Em ===G======== 4th fr (capo) | | | | | | ----------- | | | | | | --X-------- | | | | | | X---------X | | | | | | ----------- | | | | | |
xG/F =========== 4th fr (capo) | | | | | | X---------- | | | | | | ----------- | | | | | | ----------X | | | | | | ----------- | | | | | |
G-and-2-G/F-3-G/F, again, etc. So G C G G/F G G/F G fly away Peter and fly away Paul
from the fingertip Cledge of conDtentment Well, the Glong restless rustle of C G G/F G G/F G high heel boots calls F(with high G) C G G/F G G/F... and I'm probably bound to deceive you after all.
Something must be wrong with me and my brain if I'm so painfully unrewarding But my dreams are for dreaming and best left that way and my zero to your power often equals nothing at all. Double lock defense, there's no chain on my door and I'm available for consultation But remember your way in is also my way out, and love's four letter word is no compensation Black Ace dog handler I'm a waiter on skates so don't you jump to your foresking conclusion Cause I'm up to my deaf ears in cold breakfast trays to be cleared before I can dine on your sweet Sunday lunch confusion. Baker Street muse 4/8 time, capo 2nd fret, nylon string guitar, flatpicked Baker Street, Take One Em D Dsus2 e-|----------------12-----|--5-h7-p5-p0-------------------- B-|-------------12--------|--------------7-----------5----- G-|-----------0-----------|--------------7-----------7----- D-|--------2--------------|--------------0-----------0----- A-|-----2-----------------|-------------------------------- E-|--0--------------------|-------------------------------- e-|-----------------------------------------|-------- B-|-----------------------------------------|-------- G-|-----------------------------------------|-------- D-|--2-h3-p2-p0-----------------------------|-------- A-|--------------2-h3-p2-p0-----------------|-------- E-|-----------------------------3-/5--------|-------- Shit, shit, shit. Take Two [: Em D Dsus2 e-|----------------12-----|--5-h7-p5-p0--5-h7-p5--5-----|-- B-|-------------12--------|--------------7--------5-----|-- G-|-----------0-----------|--------------7--------7-----|-- D-|--------2--------------|--------------0--------0-----|-- A-|-----2-----------------|-----------------------------|-- E-|--0--------------------|-----------------------------|-- ^ (hammer/pull with pinky) Em e-|--------------------------------------------------|--- B-|--------------------------------------------------|--- G-|--------------------------------------------------|--- D-|--2-h3-p2-p0-----------------------0--------2-----|--- A-|--------------2-h3-p2-p0--------------------------|--- E-|-----------------------------3-/5--------0--------|--- :] Em e-|----------------12--|-- B-|-------------12-----|-- G-|-----------0--------|-- D-|--------2-----------|-- A-|-----2--------------|-- E-|--0-----------------|-- (verse) [: C D Em D e-|--0-----2-----|--3--2--0-----|--2-----------|-- B-|--1-----3-----|--------------|--3-----------|-- G-|--0-----2-----|--------------|--2-----------|-- D-|--2-----0-----|--------2-----|--0-----------|-- A-|--3-----------|-----2-----2--|--------------|-- E-|--------------|--0-----------|--------------|-- Win---dy busstop click shop window Sha---dy gentleman fly button C Em e-|--0--------------------|--0-----------------|-- B-|--1--------------------|--0-----------------|-- G-|--0-----------0--------|--0-----------------|-- D-|--2-----2--4-----2--0--|--2--------------0--|-- A-|--3--------------------|--2--------2--3-----|-- E-|-----------------------|--0-----------------|-- heel feel :] D Dsus4 Em7 D D e-|--2--------3--2--0--2--|-- B-|--3--------3--3--3--3--|-- G-|--2--------2--2--0--2--|-- D-|--0--------0--0--0--0--|-- A-|-----------------------|-- E-|-----------------------|--
In the GunderDpass, the Cblind man Gstands With Dcold flute Bhands
GRACE
BmHelloA sun G D HelloA bird C G Hello mBmy lDady Hello Ebreakfast May I bAuy you agaiF#mn tomoErrow'
I think he capos on the second fret.... Didn't take me too long but took me some time, please rate and enjoy