Jethro Tull - Minstrel in the gallery
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Tabbed by Taz Mckell and Edited and Revised by Mark Dalgarno, enjoy!
MINSTREL IN THE GALLERY
electric part chords
Esus4The miEnstrel in tBhe galGleDry looked down upon the smiliAng faces.
A HEe met the gazeAs B--- observed the spGacDes between the old mAen's cackle.
AThEen he brewed a sonAg Bof love and hatreGd-D-obliquesuggestions and hAe waited.
AHeE polarized AthBe pumpkin-eaters G--D- static-humminAg panel-beaters ---
BmThe miEnstrel in the AgalF#mlery loDoked down oEn the rabbit-F#mrun.
DAnd thrEew away his loAokingF#m-glass - sDaw hisE face in everF#myoneE.
(REST THE SAME)
He pacified the nappy-suffering, infant-bleating
one-line jokers --- T.V. documentary makers
(overfed and undertakers).
Sunday paper backgammon players --- family-scarred
and women-haters.
Then he called the band down to the stage and he
looked at all the friends he'd made.
The minstrel in the gallery looked down on the
rabbit-run.
And threw away his looking-glass - saw his face in
everyone.
ACUSTIC PART
capo2
AThe minsAmtrel in the gCalleFry Glooked down upDon the smiling GfaAces.
HFe met the gaCzes --- observed the sFpaGces
bDetween the old men's caGckAle.
AHe brewed a Amsong of loCve and FhatGred
--- oGblique suggestDions --- and heG wAaited.
FHe polaCrized the pFumpGkinC-eaters --- sFtaCtic-humGming
Gpanel-beateCrs ---
FfreshlyC day-glow'd fFactorGy cheatCers
G (salaried anDd collar-scrubbGinAg).
(REST THE SAME)
He titillated men-of-action --- belly warming, hands
still rubbing on the parts they never mention.
He pacified the nappy-suffering, infant-bleating
one-line jokers --- T.V. documentary makers
(overfed and undertakers).
Sunday paper backgammon players --- family-scarred
and women-haters.
Then he Fcalled the Cband doFwn tGo theC stage
and hFe looked at alEml the frDmiends hAme'dAm/G madeAm/F#. F A
MINSTREL IN THE GALLERY
electric part chords
Esus4The miEnstrel in tBhe galGleDry looked down upon the smiliAng faces.
A HEe met the gazeAs B--- observed the spGacDes between the old mAen's cackle.
AThEen he brewed a sonAg Bof love and hatreGd-D-obliquesuggestions and hAe waited.
AHeE polarized AthBe pumpkin-eaters G--D- static-humminAg panel-beaters ---
BmThe miEnstrel in the AgalF#mlery loDoked down oEn the rabbit-F#mrun.
DAnd thrEew away his loAokingF#m-glass - sDaw hisE face in everF#myoneE.
(REST THE SAME)
He pacified the nappy-suffering, infant-bleating
one-line jokers --- T.V. documentary makers
(overfed and undertakers).
Sunday paper backgammon players --- family-scarred
and women-haters.
Then he called the band down to the stage and he
looked at all the friends he'd made.
The minstrel in the gallery looked down on the
rabbit-run.
And threw away his looking-glass - saw his face in
everyone.
ACUSTIC PART
capo2
AThe minsAmtrel in the gCalleFry Glooked down upDon the smiling GfaAces.
HFe met the gaCzes --- observed the sFpaGces
bDetween the old men's caGckAle.
AHe brewed a Amsong of loCve and FhatGred
--- oGblique suggestDions --- and heG wAaited.
FHe polaCrized the pFumpGkinC-eaters --- sFtaCtic-humGming
Gpanel-beateCrs ---
FfreshlyC day-glow'd fFactorGy cheatCers
G (salaried anDd collar-scrubbGinAg).
(REST THE SAME)
He titillated men-of-action --- belly warming, hands
still rubbing on the parts they never mention.
He pacified the nappy-suffering, infant-bleating
one-line jokers --- T.V. documentary makers
(overfed and undertakers).
Sunday paper backgammon players --- family-scarred
and women-haters.
Then he Fcalled the Cband doFwn tGo theC stage
and hFe looked at alEml the frDmiends hAme'dAm/G madeAm/F#. F A
Black Satin Dancer
BbCome, let me Fplay with you, Cblack satin dGancFerG.
BbIn all your gFiving, Cgiven is the GanswFerG.
BbTearing Flife from limb Cand looking sweGeteFr G
Bbthan the Fbrightest flCower in my gGardFen.G
BbBegging your paFrdon --- sheddiCng right unrGeasonF. G
BbOver sensFation fly thCe fleeting seasonGs. F G
AmThin wind whGispering on bAmroken maBbndoEblin.
BbBending the Fminutes --- the hoCurs ever turniGngF
on that Dmold gCold story of merFcy.
CDesperate bFreathing. TBbongue nEbipple-teCasing.
Your fGmast river floDmwing --- your norBbthern Ffire fCed.
Come, bDmlack satin dGmancer, come sCoftly to beAmd. Am/G Am/F# F
Requiem
CAPO 3
C Am D G D Em Em/D
Well, I saw a bird today --- flying from a bush
Cand the wiAmnd blew it awDayDsus4.
Bm E7 A C#m F#m F#m/E
And the black-eyed mother sun scorched the butterfly at play
D Bm E E7/D
--- velvet veined. I saw it burn.
CWith a wAmintry storm-blown Gsigh, aF silver cDmloud blew right on Cby.
G Em D Dsus4 G G/F# Em Em/D C
And, taking in the morning, I sang --- O Requiem.
(REST THE SAME)
Well, my lady told me, ''Stay.''
I looked aside and walked away along the Strand.
But I didn't say a word, as the train time-table blurred
close behind the taxi stand.
Saw her face in the tear-drop black cab window.
Fading in the traffic; watched her go.
And taking in the morning, heard myself singing ---
O Requiem.
Here I go again.
It's the same old story.
Well, I saw a bird today --- I looked aside and walked
away along the Strand.
One White Duck
Capo: 4th fret.
3/4 time
Intro:
=========== 4th fr (capo)
| | | | | |
-----------
| | | | | |
--X-X------
| | | | | |
----------X
| | | | | |
-----------
| | | | | |
[4 bars,
strum = whole chord
2-and-3-and = 3rd,2nd,1st string strum
pluck = 4th string]
strum-and-2-and-3-and
pluck-and-2-and-3-and
pluck-and-2-and-3-and
pluck-and-2-and-3-and
=========== 4th fr (capo)
| | | | | |
-----------
| | | | | |
----X------
| | | | | |
--X-----X--
| | | | | |
-----------
[4 bars, pluck = 5th string]
pluck-and-2-and-3-and
pluck-and-2-and-3-and
pluck-and-2-and-3-and
pluck-and-2-and
[fill drops into song] (p = pull-off, h = hammer-on,
dn = down strum (low to high), up = up strum (high to low))
C p G Gdn Gup h Gdn Gup
3 & 1 & 2 & 3 & 1 & 2 & 3 & 1 & 2 &
E|-----------------------------------------1---1-------------------1---1--
B|-----------------------------------------0---0-------------------0---0--
G|-----------------------------------------0---0-------------------0---0--
D|-2-----------2-0-----0-------0-----------0---0-----------0-------0---0--
A|-----------------3-------2---------------2---2---0---2-----------2---2--
E|---------------------------------3-------3---3-------------------3---3--
(^ hold G (3-2-1) and just
lift 2)
h Gdn Gup h Gdn Gup h
3 & 1 & 2 & 3 & 1 & 2 & 3 & 1 & 2 &
E|-----------------1---1-------------------1---1------------
B|-----------------0---0-------------------0---0------------
G|-----------------0---0-------------------0---0------------
D|-----------------0---0-----------0-------0---0------------ etc.
A|-0---2-----------2---2---0---2-----------2---2---0---2----
E|---------3-------3---3-------------------3---3-----------3
[Note: Ian Anderson usually plays a D chord thusly:
D(IA)
hold sus
E|-2--------3--2--0--2--
B|-3--------3--3--3--3--
G|-2--------2--2--2--2--
D|-0--------0--0--0--0--
A|-x--------x--x--x--x--
E|-x--------x--x--x--x--
Throw this in wherever a D chord ends a phrase]
There's a
G C D(IA) G
haze on the skyline to wish me on my way
and there's a note on the telephone
C D(IA)
some roses on a tray
And the motorway's Cstretching D
Emright Dout to us Emall D
as I pull on my Cold wings
DOne EmWhite DDuck on your Emwall
Isn't it Bbjust to damn Amreal'
One White Duck on your Dwall Am
one duck on your Dwall Am
G
I'll catch a
ride on your violin strung up on your bow
and I'll float on your melody
sing your chorus soft and low
There's a picture-view postcard to say that I called
You can see from the fireplace
One White Duck on your wall
Isn't it just too damn real'
One White Duck on your wall
One duck on your Dwall Em
===G======== 4th fr (capo)
| | | | | |
-----------
| | | | | |
--X--------
| | | | | |
X---------X
| | | | | |
-----------
| | | | | |
xG/F
=========== 4th fr (capo)
| | | | | |
X----------
| | | | | |
-----------
| | | | | |
----------X
| | | | | |
-----------
| | | | | |
G-and-2-G/F-3-G/F, again, etc.
So
G C G G/F G G/F G
fly away Peter and fly away Paul
from the fingertip Cledge of conDtentment
Well, the Glong restless rustle of
C G G/F G G/F G
high heel boots calls
F(with high G) C G G/F G G/F...
and I'm probably bound to deceive you after all.
Something must be wrong with me and my brain
if I'm so painfully unrewarding
But my dreams are for dreaming and best left that way
and my zero to your power often equals nothing at all.
Double lock defense, there's no chain on my door
and I'm available for consultation
But remember your way in is also my way out,
and love's four letter word is no compensation
Black Ace dog handler I'm a waiter on skates
so don't you jump to your foresking conclusion
Cause I'm up to my deaf ears in cold breakfast trays
to be cleared before I can dine on your sweet
Sunday lunch confusion.
Baker Street muse
4/8 time, capo 2nd fret, nylon string guitar, flatpicked
Baker Street, Take One
Em D Dsus2
e-|----------------12-----|--5-h7-p5-p0--------------------
B-|-------------12--------|--------------7-----------5-----
G-|-----------0-----------|--------------7-----------7-----
D-|--------2--------------|--------------0-----------0-----
A-|-----2-----------------|--------------------------------
E-|--0--------------------|--------------------------------
e-|-----------------------------------------|--------
B-|-----------------------------------------|--------
G-|-----------------------------------------|--------
D-|--2-h3-p2-p0-----------------------------|--------
A-|--------------2-h3-p2-p0-----------------|--------
E-|-----------------------------3-/5--------|--------
Shit, shit, shit.
Take Two
[:
Em D Dsus2
e-|----------------12-----|--5-h7-p5-p0--5-h7-p5--5-----|--
B-|-------------12--------|--------------7--------5-----|--
G-|-----------0-----------|--------------7--------7-----|--
D-|--------2--------------|--------------0--------0-----|--
A-|-----2-----------------|-----------------------------|--
E-|--0--------------------|-----------------------------|--
^ (hammer/pull with pinky)
Em
e-|--------------------------------------------------|---
B-|--------------------------------------------------|---
G-|--------------------------------------------------|---
D-|--2-h3-p2-p0-----------------------0--------2-----|---
A-|--------------2-h3-p2-p0--------------------------|---
E-|-----------------------------3-/5--------0--------|---
:]
Em
e-|----------------12--|--
B-|-------------12-----|--
G-|-----------0--------|--
D-|--------2-----------|--
A-|-----2--------------|--
E-|--0-----------------|--
(verse)
[:
C D Em D
e-|--0-----2-----|--3--2--0-----|--2-----------|--
B-|--1-----3-----|--------------|--3-----------|--
G-|--0-----2-----|--------------|--2-----------|--
D-|--2-----0-----|--------2-----|--0-----------|--
A-|--3-----------|-----2-----2--|--------------|--
E-|--------------|--0-----------|--------------|--
Win---dy busstop click shop window
Sha---dy gentleman fly button
C Em
e-|--0--------------------|--0-----------------|--
B-|--1--------------------|--0-----------------|--
G-|--0-----------0--------|--0-----------------|--
D-|--2-----2--4-----2--0--|--2--------------0--|--
A-|--3--------------------|--2--------2--3-----|--
E-|-----------------------|--0-----------------|--
heel
feel
:]
D Dsus4 Em7
D D
e-|--2--------3--2--0--2--|--
B-|--3--------3--3--3--3--|--
G-|--2--------2--2--0--2--|--
D-|--0--------0--0--0--0--|--
A-|-----------------------|--
E-|-----------------------|--
In the GunderDpass, the Cblind man Gstands
With Dcold flute Bhands
GRACE
BmHelloA sun G D
HelloA bird C G
Hello mBmy lDady
Hello Ebreakfast
May I bAuy you agaiF#mn tomoErrow'
I think he capos on the second fret....
Didn't take me too long but took me some time, please rate and enjoy