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Devil's Radio George Harrison | E | E | E | E |
(GGosB5sip, GgosEsip, GgosB5sip, GgosEsip) C#m5. I heard it B5in the Enight, A. words that B5thoughtless Espeak C#m5 B5 G#m B5 |E | Like vultures swooping down below on the . devil's radio C#m5. I hear it B5through the Eday, A. airwaves B5getting Efilled C#m5 B5 G#m B5 |E | With gossip broadcast to and fro on the . devil's radio
(GOh B5yeah, GgosEsip, GgosB5sip, Goh Eyeah) C#m5. He's in the B5clubs and Ebars, Aand never B5turns it Edown C#m5 B5 G#m B5 |E | Talkin' about what he don't know on the . devil's radio C#m5. He's in your B5TV Eset, Awon't give Bit a Erest C#m5 B5 G#m B5 |E | That soul betraying so and so, . the devil's radio.
(GGosB5sip, GgosEsip, GgosB5sip, GgosEsip) (GOh B5yeah) Gossip. (GGosEsip) Oh yeah. (GGosB5sip) Oh yeah. (GOh Eyeah) Gossip.
AIt's white and black like industrial waste PolElution of the highest degree AYou wonder why I don't hang out much B. I wonder how you can't see.
C#m5. He's in the B5films and Esongs, and Aall your B5magaEzines C#m5 B5 G#m B5 |E | It's everywhere that you may go, the devil's radio.
| C#m5 B5 | E | A B5 | E | C#m5 | B5 G#m | B5 | E | G B5 G E G B5 G E | E | (Oh yeah, gossip, gossip, oh yeah)
A. Runs thick and fast, no one really sees EQuite what bad it can do A. As it shapes you into something cold B |B <> | Like an . Eskimo igloo
C#m5. It's all aB5cross our Elives, A. like a B5weed it's Espread C#m5 B5 G#m B5 |E | 'Til nothing else has space to grow, . the devil's radio. C#m5. Can creep up B5in the Edark, Amake us hide beB5hind Eshades C#m5 B5 G#m B5 |E | And buzzing like a dynamo, . the devil's radio.
(GGosB5sip) Oh yeah. (GGosEsip) Oh yeah. (GGosB5sip) Gossip. (GGosEsip) Gossip. (GOh B5yeah) I heard you on Satan's wires. (GGosEsip) (GGosB5sip) <..G.&aEmp;gt; (Oh yeah) <...> G(GoB5ssip) <.G..&Eamp;gt; (Gossip) <...> (GGosB5sip) <.G..&Eamp;gt; (Gossip) <?>
Charted by Dexex (My chord charts represent how, as a rhythm guitarist, I choose to play songs. I don't claim they are the "right" way. I believe chord charts are interpretations. They differ from tabs, which are intended to allow players to replicate the way songs were played on recordings.)