Autoscroll
1 Column 
Text size
Transpose 0
I GOT STUNG As recorded by Elvis Presley (From the 1959 Album 50,000,000 ELVIS FANS CAN'T BE WRONG: ELVIS' GOLDEN RECORDS, VOL. 2) Words and Music by Aaron Schroeder & David Hill Transcribed by Slowhand Gtr I (E A D G B E) - 'Hank Garland - Electric Guitar' Intro 1 Q=180 N.C. 4/4 Gtr I Wx4 |--------|| |--------|| |--------|| |--------|| |--------|| |--------|| Intro 2 & Interlude N.C. PM----------------------------------------------------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E ||----------------|---------------|---------------|---------------|| ||o---------------|---------------|---------------|---------------|| ||------------5---|-----------5---|-----------5---|-----------5---|| ||-----5--8-8---8-|----5--8-8---8-|----5--8-8---8-|----5--8-8---8-|| ||o-6-------------|-6-------------|-6-------------|-6-------------|| ||----------------|---------------|---------------|---------------|| 1st - 4th Verses $ $$ N.C. PM------------------------------------------------------------| Q Q E E E E Q Q E E E E Q Q E E E E E E E E E E E E |---------------|---------------|---------------|------------------| |---------------|---------------|---------------|------------------| |-----------5---|-----------5---|-----------5---|------------------| |----5--8-8---8-|----5--8-8---8-|----5--8-8---8-|------------------| |-6-------------|-6-------------|-6-------------|-6-6-4-4-3-3------| |---------------|---------------|---------------|-------------6-6--| PM----------------------------------------------------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------|---------------|---------------|----------------| |---------------|---------------|---------------|----------------| |---------------|---------------|-----------5---|-----------5----| |-----------3---|-----------3---|----5--8-8---8-|----5--8-8---8--| |----3--6-6---6-|----3--6-6---6-|-6-------------|-6--------------| |-4-------------|-4-------------|---------------|----------------| 1. To Coda To Coda PM---------------------------| q q q q q q Q Q Q Q E E E E Q Q E E E E |-------------|-------------|----------------|----------------|| |-------------|-------------|----------------|---------------o|| |-------------|-------------|-----------5----|-----------5----|| |-------------|----------5--|----5--8-8---8--|----5--8-8---8--|| |-------------|-------------|-6--------------|-6-------------o|| |-6--------6--|-4-----------|----------------|----------------|| Bridge 2. N.C. PM-------------------------------------------------------------| E E E E E E E E Q Q E E E E Q Q E E E E Q Q E E E E |-----------------||---------------|---------------|----------------| |-----------------||---------------|---------------|----------------| |-----------------||---------------|-----------5---|----------------| |-----------------||-----------3---|----5--8-8---8-|-----------5----| |-6-6-4-4-3-3-----||----3--6-6---6-|-6-------------|----5--8-8---8--| |-------------6-6-||-4-------------|---------------|-6--------------| D.S. al Coda PM---------------------------------------| Q Q E E E E Q Q E E E E Q Q Q Q q Q H W |---------------|---------------|-------------|------------|-------|| |---------------|---------------|-------------|------------|-------|| |---------------|---------------|-------------|------------|-------|| |---------------|-----------3---|-------------|------------|-------|| |----5--8-8-5-8-|----3--6-6---6-|----3--------|------------|-------|| |-6-------------|-4-------------|-4-----4--5--|-6----------|-------|| Interlude & N.C. PM-----------------------------------------------------------| Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E |---------------||---------------|---------------|----------------| |---------------||---------------|---------------|----------------| |-----------5---||-----------5---|-----------5---|-----------5----| |----5--8-8---8-||----5--8-8---8-|----5--8-8---8-|----5--8-8---8--| |-6-------------||-6-------------|-6-------------|-6--------------| |---------------||---------------|---------------|----------------| Bridge N.C. PM-------------------------------------------------------------| E E E E E E E E Q Q E E E E Q Q E E E E Q Q E E E E |-----------------||---------------|---------------|----------------| |-----------------||---------------|---------------|----------------| |-----------------||---------------|-----------5---|----------------| |-----------------||-----------3---|----5--8-8---8-|-----------5----| |-6-6-4-4-3-3-----||----3--6-6---6-|-6-------------|----5--8-8---8--| |-------------6-6-||-4-------------|---------------|-6--------------| D.S.S. al Dbl. Coda PM---------------------------------------| Q Q E E E E Q Q E E E E Q Q Q Q q Q H W |---------------|---------------|-------------|------------|-------|| |---------------|---------------|-------------|------------|-------|| |---------------|---------------|-------------|------------|-------|| |---------------|-----------3---|-------------|------------|-------|| |----5--8-8-5-8-|----3--6-6---6-|----3--------|------------|-------|| |-6-------------|-4-------------|-4-----4--5--|-6----------|-------|| Outro && N.C. PM---------------------------------------------- Q Q E E E E Q Q E E E E Q Q E E E E |---------------||---------------|---------------| |---------------||---------------|---------------| |-----------5---||-----------5---|-----------5---| |----5--8-8---8-||----5--8-8---8-|----5--8-8---8-| |-6-------------||-6-------------|-6-------------| |---------------||---------------|---------------| -----------------------------| Q Q E E E E Q Q E E E E |---------------|-----------------*| |---------------|-----------------*| |-----------5---|-----------5-----*| |----5--8-8---8-|----5--8-8---8---*| |-6-------------|-6---------------*| |---------------|-----------------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths