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SHE'S NOT THERE (Bassline) As recorded by Santana (From the 1977 Album MOONFLOWER) Words and Music by Rod Argent Arranged by Santana Transcribed by Slowhand Gtr I (E A D G) - 'David Margen - Electric Bass' Intro Q=132 4/4 Gtr I H E E E E q Q E E E E H E E E E q Q E E E E 3x ||-------------7-|-5-------------|------------7-|-5-----7---------|| ||o--------5-8---|-------------5-|--------5-8---|-------------5--o|| ||o--------------|---------5-8---|--------------|---------5-8----o|| ||---------------|---------------|--------------|-----------------|| 1st Verse W Q E E Q E E Q E E E. S E E |----------||---------------|-----------------| |----------||-5-------------|-5---------------| |----------||------5-3--3-5-|------5-3--3-3-5-| |----------||---------------|-----------------| Q E E Q E E Q E E Q E E |---------------|-----------------| |-5------2--2-3-|-5---------------| |------5--------|------5-3--3-5---| |---------------|-----------------| Q E E Q. E Q E E Q E E Q E E Q. E Q E E E E Q |---------------|---------------|---------------|----------------|| |-5-------------|-5-------------|-5------2----3-|-5--5-5-5-5-5---|| |------5-3----5-|------5-3--3-5-|------5--------|----------------|| |---------------|---------------|---------------|----------------|| Chorus Q E E Q E E Q E E Q E E Q E E Q E E Q E E Q e e |---------------|---------------|---------------|----------------| |-2----2-1----1-|---------------|---------------|----------------| |---------------|---------------|-5----5-5----5-|----------------| |---------------|-3----3-3----3-|---------------|-3----3-3--3-3--| Q E E Q E E Q E E Q E E e e e e e e e e q Q H |---------------|---------------|-----------------|------------|| |-2----2-1----1-|---------------|-----------------|------------|| |---------------|-3----3--------|-5-5-5-5-5-5-5-5-|-5----------|| |---------------|--------6----6-|-----------------|------------|| 2nd Verse Q E E Q E E Q E E E. S E E Q E E Q E E Q E E Q E E |---------------|-----------------|---------------|----------------| |-5-------------|-5---------------|-5------2--2-3-|-5--------------| |------5-3--3-5-|------5-3--3-3-5-|------5--------|------5-3--3-5--| |---------------|-----------------|---------------|----------------| Q E E Q. E Q E E Q E E Q E E Q. E Q E E E E Q |---------------|---------------|---------------|----------------|| |-5-------------|-5-------------|-5------2----3-|-5--5-5-5-5-5---|| |------5-3----5-|------5-3--3-5-|------5--------|----------------|| |---------------|---------------|---------------|----------------|| Chorus $ Q E E Q E E Q E E Q E E Q E E Q E E Q E E Q e e |---------------|---------------|---------------|----------------| |-2----2-1----1-|---------------|---------------|----------------| |---------------|---------------|-5----5-5----5-|----------------| |---------------|-3----3-3----3-|---------------|-3----3-3--3-3--| Q E E Q E E Q E E Q E E E E E E E E E E e e e e e e e e |---------------|---------------|-----------------|------------------| |-2----2-1----1-|---------------|-----------------|------------------| |---------------|-3----3--------|-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5--| |---------------|--------6----6-|-----------------|------------------| Q E E Q E E Q E E Q E E Q E E Q E E Q E E Q E E |---------------|---------------|---------------|----------------| |-5-------------|-5-------------|-5-------------|-5--------------| |------5-3----5-|--------3----5-|------5-3----5-|--------3----5--| |---------------|------6--------|---------------|------6---------| Guitar Solo To Coda Q E E Q E E E E E E E E E E Q Q Q E. S E E E E S S E E E |----------------|-----------------||---------------|--------------------| |-5--------------|-5-5-5-5-5-5-5-5-||-5-------------|-5---------------5--| |--------3----5--|-----------------||-------------8-|---------7-7-6-8----| |------6---------|-----------------||---------------|---6-5-8------------| S S E E E S S E E E E E E E S S E E E |----------------------|-------------------| |-7-7-8-9-10-----------|-5---------------5-| |----------------5-7-8-|---------7-7-6-8---| |------------8-8-------|---6-5-8-----------| +E E E E +E E E E E E E E S S E E E |-----------------------|---------------------| |-(5)-8-9-10-(10)-------|-5---------------5---| |-----------------7-8-9-|---------7-7-6-8-----| |-----------------------|---6-5-8-------------| S S E E E S S E E E E E E E S S E E E |----------------------|-------------------| |-7-7-8-9-10-----------|-5---------------5-| |----------------5-7-8-|---------7-7-6-8---| |------------8-8-------|---6-5-8-----------| +E E E E +E E E E E E E E S S E E E |-----------------------|---------------------| |-(5)-8-9-10-(10)-------|-5---------------5---| |-----------------7-8-9-|---------7-7-6-8-----| |-----------------------|---6-5-8-------------| S S E E E S S E E E E E E E S S E E E |----------------------|-------------------| |-7-7-8-9-10-----------|-5---------------5-| |----------------5-7-8-|---------7-7-6-8---| |------------8-8-------|---6-5-8-----------| +E E E E +E E E E E E E E S S E E E |-----------------------|---------------------| |-(5)-8-9-10-(10)-------|-5---------------5---| |-----------------7-8-9-|---------7-7-6-8-----| |-----------------------|---6-5-8-------------| D.S. al Coda S S E E E S S E E E E E E E S S E E E E E E E E E E E |----------------------|-------------------|------------------|| |-7-7-8-9-10-----------|-5---------------5-|-5-5-5-5-5-5-5-5--|| |----------------5-7-8-|---------7-7-6-8---|------------------|| |------------8-8-------|---6-5-8-----------|------------------|| Outro-Solo & E E E E E E E E E E E E E E E E S S E Q H W |-----------------|-----------------||---------------|------| |-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5-||---------------|------| |-----------------|-----------------||---------------|------| |-----------------|-----------------||-3-3-----------|------| S S E Q H W S S E Q H H Q E S S |---------------|----------|---------------|---------------| |---------------|----------|---------------|---------------| |---------------|----------|---------------|-----------1-3-| |-3-3-----------|----------|-3-3-----------|---------3-----| Q. E E E E E E E E E E E E E E E E E +E S S E E E E E E +E E E E |----------------|-----------------|---------------------|-------------------| |----------------|-----------------|---------------------|-------------------| |-5----5-5-5-5-5-|-5-5-5-5-5-5-5-5-|---1-2-3-(3)---------|---1-2-3-(3)-------| |----------------|-----------------|-3-----------1-1-2-3-|-3-----------1-2-3-| E E E E E E E E E E E E +E S S E E E E E E +E S S E E |-----------------|---------------------|---------------------| |-----------------|---------------------|---------------------| |---1-2-3---------|---1-2-3-(3)---------|---1-2-3-(3)---------| |-3-------0-1-2-3-|-3-----------1-1-2-3-|-3-----------1-1-2-3-| E E E E +E E E E E E E E E E E E E E E E +E S S E E |-------------------|-----------------|---------------------*| |-------------------|-----------------|---------------------*| |---1-2-3-(3)-------|---1-2-3---------|---1-2-3-(3)---------*| |-3-----------1-2-3-|-3-------0-1-2-3-|-3-----------1-1-2-3-*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths