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THINK IT OVER (Bassline) As recorded by Buddy Holly & The Crickets (From the 1957 Album THE "CHIRPING" CRICKETS ) Words and Music by Buddy Holly, Jerry Allison & Norman Petty Transcribed by Slowhand Gtr I (E A D G) - 'Joe B. Mauldin - Upright Bass' Intro Q=132(8=s8) 4/4 Gtr I W H Q E E Q Q Q E E |----------|-------------|--------------| |----------|-------------|-7--7-----7---| |----------|-----------7-|-------7----7-| |----------|-------------|--------------| 1st - 3rd Verses $ Q Q Q Q E E E E E E E E Q Q Q E E Q Q Q E E |-------------|-----------------||---------------|---------------| |-7--7-----7--|-----------------||o-7--4-----4---|-7--4-----4----| |-------7-----|-7-7-7-7-7-7-7-7-||o-------7----7-|-------7----7--| |-------------|-----------------||---------------|---------------| Q Q Q E E Q Q Q E E Q Q Q E E Q Q Q E E |--------------|--------------|--------------|---------------| |-7--4-----4---|-7--4-----7---|----4--7--4-7-|----4--7--4-7--| |-------7----7-|-------7----5-|-5------------|-5-------------| |--------------|--------------|--------------|---------------| To Coda Q Q Q E E Q Q Q E E Q Q Q E E Q Q Q Q |--------------|--------------|--------------|--------------| |-7--4-----4---|-7--4-----7---|--------------|--------------| |-------7----7-|-------7----7-|-7--7--7--7-7-|-5--5--5--5---| |--------------|--------------|--------------|--------------| 1. 2. E E Q H Q E E E E E E E E Q H Q E E E E E E |-------------|-----------------||-------------|-----------------|| |-7-----------|----------------o||-7-----------|-----------------|| |-------------|----7-7-7-7-7-7-o||-------------|----7-7-7-7-7-7--|| |-------------|-----------------||-------------|-----------------|| Piano Solo Q Q Q E E Q Q Q E E Q Q Q E E Q Q Q E E |--------------|--------------|--------------|---------------| |-7--4---------|-7--4---------|-7--4---------|-7--4----------| |-------7--4-7-|-------7--4-7-|-------7--4-7-|-------7--4-7--| |--------------|--------------|--------------|---------------| Q Q Q E E Q Q Q E E Q Q Q E E Q Q Q E E |--------------|--------------|--------------|---------------| |----4--7--4-7-|----4--7--4-7-|-7--4-----4---|-7--4-----4----| |-5------------|-5------------|-------7----7-|-------7----7--| |--------------|--------------|--------------|---------------| D.S. al Coda Q Q Q E E Q Q Q E E Q Q Q Q E E E E E E E E |--------------|--------------|-------------|------------------|| |--------------|--------------|-7--7--------|-7----------------|| |-7--7--7--7-7-|-5--5--5--5-5-|-------5--5--|---7-7-7-7-7-7-7--|| |--------------|--------------|-------------|------------------|| Outro & E E Q H E E E E E E E E Q Q Q Q |-------------|-----------------||-------------| |-7-----------|-----------------||-7--7-----7--| |-------------|---7-7-7-7-7-7-7-||-------7-----| |-------------|-----------------||-------------| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------|--------------*| |-7--7-----7--|-7--7-----7--|-7--7-----7--|-7--7-----7---*| |-------7-----|-------7-----|-------7-----|-------7------*| |-------------|-------------|-------------|--------------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths