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LONG TALL SALLY (Bassline) As recorded by The Beatles (From the 1965 Album PAST MASTERS VOL. 1) Words and Music by Enotris Johnson, Richard Penniman & Robert Blackwell Arranged by The Beatles Transcribed by Slowhand Gtr I (E A D G) - 'Paul McCartney (Bass)' 1st, 2nd & 3rd Verses Q=170 $ 4/4 Gtr I W Q Q Q Q Q Q Q Q |----------||--------------|--------------| |----------||o-5-----------|-5------------| |----------||o----------5--|----------5---| |----------||--------------|--------------| Q Q H Q Q Q Q Q Q Q E E |------------|-------------|-------0----0-| |-5----------|-5--3--2--0--|----2-----2---| |------------|-------------|-3------------| |------------|-------------|--------------| Q Q Q Q Q Q Q E E Q Q Q Q Q Q Q E E |-------0-----|--------------|-0--0--------|-------2------| |----2-----2--|-------0--2-0-|-------3--2--|-0--4-----4---| |-3-----------|----2---------|-------------|------------5-| |-------------|-3------------|-------------|--------------| Guitar Solo 1 1. 2. To Coda Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------0-----|-------------|--------------||-------------||-------------| |----2-----2--|-------------|----2--4--5--o||----2--3--4--||-5--3--2-----| |-3-----------|----2--3--4--|-5-----------o||-5-----------||----------5--| |-------------|-3-----------|--------------||-------------||-------------| E E Q E E E E Q Q E E E E Q Q E E E E Q Q Q E E |----------------|---------------|---------------|-------0----0-| |--------0-0-----|-------0-------|-------0-------|----2-----2---| |-----2------3-2-|----2----0-3-2-|----2------0-2-|-3------------| |-3-3------------|-3-------------|-3-------3-----|--------------| Q Q E E E E Q Q Q E E Q Q Q E E Q Q Q Q |-------0-0-0-0-|--------------|--------------|-------2-----| |----2----------|-------0----0-|-------0----0-|-0--4-----4--| |-3-------------|----2-----2---|----2-----2---|-------------| |---------------|-3------------|-3------------|-------------| Guitar Solo 2 D.S. al Coda & Q Q Q E E E E Q Q Q Q Q Q Q Q Q Q Q Q E E Q E E |--------------|--------------|-------------||-------------||---------------| |----2--3--5-5-|-5-5----------|----2--4--5--||----2--3--4--||-5--5-5-5--5-5-| |-3------------|-----2--3--4--|-5-----------||-5-----------||---------------| |--------------|--------------|-------------||-------------||---------------| Q E E E E E E Q E E Q E E Q E E E E E E Q Q Q Q |----------------|---------------|----------------|-------------| |-5--5-5-5-5---3-|-5--5-5-5--5-5-|-5--5-5-5-3-2-0-|----2--3--4--| |------------5---|---------------|----------------|-3-----------| |----------------|---------------|----------------|-------------| Q Q E E E E Q Q Q Q E E Q E E E E Q Q Q E E |---------------|-------------|----------------|-------2------| |-5--3--2-------|-5-----------|--------0-------|----2-----4---| |---------0-3-3-|----7--5-----|-----2----2-3-4-|-5----------5-| |---------------|----------7--|-3-3------------|--------------| Out-Chorus Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-------------||-------------| |----2--3--4--|-5-----------|----2--3--4--||-5-----0--2--| |-3-----------|----2--3--4--|-5-----------||----2--------| |-------------|-------------|-------------||-------------| Q Q Q E E Q Q Q Q Q Q Q Q Q Q Q Q |-0------------|-------------|-0-----------|-------------| |----2--0----0-|-------0--2--|----3--2--0--|----2--3--4--| |----------2---|----2--------|-------------|-3-----------| |--------------|-3-----------|-------------|-------------| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |-------------|-------------|-0-----------|-------2-----| |-5--3--2--0--|-------0--2--|----2--0-----|-0--4-----4--| |-------------|----2--------|----------2--|-------------| |-------------|-3-----------|-------------|-------------| Outro Q Q Q Q E E Q Q Q Q Q Q Q E E E E E E E E |-------------|--------------|-------------||-----------------| |----2--3--4--|-5-5----------|-------------||-5-5-5-5-5-5-5-5-| |-3-----------|-----2--3--4--|-5--5--5--5--||-----------------| |-------------|--------------|-------------||-----------------| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------------|-----------------|-----------------|-----------------| |-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5-|-----------------| |-----------------|-----------------|-----------------|-3-3-3-3-1-3-3-3-| |-----------------|-----------------|-----------------|-----------------| E E E E E E E E E E E E E E E E E E E E E E E E Q Q Q Q |-----------------|-----------------|-----------------|-------2-----| |-----------------|-5-5-5-5-3-5-5-5-|-3-5-5-5-3-5-5-5-|----4-----4--| |-3-3-3-3-1-3-3-3-|-----------------|-----------------|-5-----------| |-----------------|-----------------|-----------------|-------------| Q Q Q Q E E +Q Q Q E E E E Q Q +W |-------------|----------------|---------------|--------*| |----2--3--4--|-5--------------|-----4-5----5--|-(5)----*| |-3-----------|---2-(2)--3--4--|-5-5-----------|--------*| |-------------|----------------|---------------|--------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths