Band : R.E.M. Album : Up - From: Joseph Rinehart (jrinehar@osf1.gmu.edu) AIRPORT MAN ther posting...the entire song is a droned G#... Tab for the descending synth riff: e --8-6--------------- B ------9--8-6-------- G--------------8------ Lyrics: he moves efficiently beyond security. great opportunity awaits. airport fluorescent creature of habit labored breathing and sallow skin recycled air moving sidewalks great opportunity blinks. great opportunity blinks. discounted. the people mover the people mover discounted. ----- Riff: (from David Wagner - wagner@mindspring.com) e--13--11------------------------ B------------11------13--------- G--------------------------10----- D-------------------------------13

LOTUS

Tab from: Chris Gantner (cgantner@arches.uga.edu) Main Riff e|--------------------------------------------------- B|-------------1-0----------------------------------- G|-----0h2p0--0----0h2p0----------------------------- D|----------h4----------0-h2-0-0--------------------- A|0------------------------------3-3-2-2-0--------0-- E|-----------------------------------------3^(1/2)--- e|--------------------------------------------------- B|--------1-0-1-3-1-3-3s5-3-3-1-1-0-0---------------- G|0h2p0-------------------------------2-2-0---------- D|-----h4-------------------------------------------- A|------------------------------------------0-------- E|--------------------------------------------------- The rest of the guitar consists of double stops on the e and B strings e|5-5----3-3-----10-10-----8-8----------------------- B|5-5----3-3-----10-10-----8-8----------------------- Repeat these sections as needed Of course it's always a good idea to listen to the song for the exact rhythm but this should be fairly close. ------ From: ROBERT OAG (Ppxrmo@nottingham.ac.uk) Lotus. | Am | C | G | F | | Am | C | G | F | Hey, hey, Hey, hey | Am | C | G | F | | Am | C | G | F |

I was hell^Am, sarcastic^C silver swell, th^Gat day it rained^F Tough spun, har^Amd won, No, ^Cocean flower aqu^Garium ^F Badland^Ams, give a hand, hon^Cey dipt, ^Gfilm flam ^F Hey hey,^Am hey hey, th^Cat cat can walk^G like a big bad man, ^F

^DmSo happy to show u^Ams, I ate^Dm the lotus, ^Am ^DmSay haven't you noticed'^Am I ate t^Emhe lotus ^Dm

^AmStorefront window, I reflect,^C just last week ^GI was merely heck ^F T^Amip the scale, I wa^Cs hell, Picked me ^Gup, then I fell, ^F W^Amho'sthis stranger' Crowbar^C spine, dot, dot, dot and ^GI feel fine, ^F Let it rai^Amn, rain, rain, B^Cring m^Gy happy back again, ^F

^DmSo happy to show u^Ams, I ate^Dm the lotus, ^Am ^DmSay haven't you noticed'^Am I ate t^Emhe lotus I ^Dmate th^Eme lotus ^Dm

| Am | C | G | F | | Am | C | G | F |

Let it rain^Am, rain, rain^C, Save^G me from myself again ^F ^AmWash away my ugly sins, ^COpposing thumb, do^Grsal fin ^F That monke^Amy died for my gri^Cn, Bring my happy bac^Gk again ^F L^Amet it rain, rain, rai^Cn, Bri^Gng my happy back again ^F

^DmSo happy to show u^Ams, I ate^Dm the lotus, ^Am ^DmSay haven't you noticed'^Am I ate t^Emhe lotus I ^Dmate th^Eme lotus ^Dm ^EmI ate the lotu^Dms, I^Em ate the lotus^Dm, I ^Emate the lot^Dmus

Lyrics: hey hey. I was hell sarcastic silver swell. that day it rained tough spun. hard won. no ocean flower aquarium badlands. give a hand. honey dipt. film flam hey hey. hey hey. that cat can walk like a big bad man. so happy to show us I ate the lotus. say haven't yoou noticed' I ate the lotus storefront window, I reflect. just last week I merely heck tip the scale. I was hell picked me up, then I fell. who's this stranger' crowbar spine ...and I feel fine. let it rain, rain, rain bring my happy back again. so happy to show us I ate the lotus. say haven't yoou noticed' I ate the lotus let it rain, rain, rain save me from myself again wash away my ugly sins opposing thumb, dorsal fin that monkey died for my grin bring my happy back again let it rain, rain, rain bring my happy back again so happy to show us I ate the lotus. say haven't yoou noticed' I ate the lotus I ate the lotus I ate the lotus

SUSPICION

From: DJ Allan (djgreedo@hotmail.com) verse:

^Gnow m^Bby suspi^Gcions ^Bbon the r^Gise ^Bb ^G ^Bb ^GI hav^Bbe known^G, I ha^Bbve known^G you^Bbr ki^Gnd.^Bb ^Gplease don't t^Bbalk, don't ma^Gke me ^Bbthink o^Bbrder^G up^Bb another drink ^Glet m^Bbe let i^Gmagina^Bbtion dri^Gve ^Bb ^G

pre-chorus:

^Fcant you see I need ^Dmnothing t^Goo deep chorus: ^Amimagin^Dation ^Amcome aliv^De ^Amsuspi^Dcion, t^Conight, I'll ^Ddream tonight

verse: listen to the devils in my ear. tell me what, what I want to hear youre so funny, youre so fine. youre so perfect, youre so mine. that i never had an opportunity to hide no I never had a chance pre-chorus: cant you see I need nothing too deep chorus: imagination come alive suspicion, tonight, I'll dream tonight. bridge:

^Bb ^Am look into my ^Geyes. ^Gmhypnotize the lig^Amhts, the drinks ^Flet the music carry you a^Gway

solo: verse: my eyes are blurred, my sights are limited am i sensing a familiar twinge' no I never had a chance pre-chorus: please don't speak, make me think, it's all too deep chorus: imagination come alive suspicion, step down, I'll dream tonight. step down, I'll dream tonight. youre so naked baby, dream, dream, carry you away ------- CORRECTION From: david wagner (wagner@mindspring.com) here's what you've got:

^Fcan't you see i n^Dmeed nothing ^Gtoo deep (or something like that) here's what i think it is: F (xxx565) Faug5 (xxx665) Dm/F (xxx765) G (open) can't you see i need nothing too deep (Faug5:133221 or XXX665)

----- Here's the guitar solo from Suspicion... it's pretty heavily modulated so expect me to be off on a few counts. Tabbed by Chris Lawrence (mustang@islandnet.com) E---------------------------------------------------------- B---------------------------------------------------------- G---------------------------------------------------------- D-----------------------------12/10\12---10\12-10--10/5-5-- A--------------3\8-8---\10-8------------------------------- E--3----6\8-6---------------------------------------------- E--------------------------------------------------- B-------------------------------------------------8- G----------------------------------------10-9---7-7- D-----------------------------12/10\12-------------- A--------------3\8-8---\10-8------------------------ E--3----6\8-6--------------------------------------- Use slides and vibrato at your own discretion. ---- From: Ross Pickford (rosspic@hotmail.com) Updated chords for Suspicion using basics from DJ Allen, with a slight variation on his use of G and Bb. I've tried G (320033) and G/Bb (x10033) and found it a nice option. You decide. Also added extra chords at the end of the chorus, which also form the repeat at the end of the song. I've only added the effected parts of the song here. Repeat througout as needed. Pre-chorus chords: F : (xxx565) Faug5: (xxx665) Dm/F " (xxx765) Suspicion verse:

^Gnow ^G/Bbmy suspi^Gcions ^G/Bbon the ^Grise ^G/Bb ^G ^G/Bb ^GI have^G/Bb known, ^GI have^G/Bb known your^G kind ^G/Bb ^G ^G/Bb ^Gplease don't^G/Bb talk, don't ^Gmake me ^G/Bbthink ^G orde^G/Bbr up an^Gother d^G/Bbrink G G/Bb G G/Bb G G/Bb (G G/Bb)' let me let imagination drive

pre-chorus:

^Fcan't you ^Faug5see I need ^Dm/Fnothing too ^Gdeep

chorus:

^Amimagi^Dnation ^Amcome a^Dlive ^Amsuspi^Dcion, to^Cnight^Bm, I'^Gll ^Ddream tonight

Bridge:

^Bb ^Am ^Clook into my ^Geyes ^Bbhypnotize the ^Amlights, the drinks ^Flet the music carry you a^Gway

for end chorus, use C Bm G D progression. ---- From: Jamie <66789044@mmu.ac.uk> F F(') Bmaj7 G can't you see I need nothing too deep. e-1--------------1------------1--------------3----- b-1--------------2------------3--------------3----- g-2--------------2------------2--------------0----- d-3--------------3------------3--------------0----- a-------------------------------------------------- e-------------------------------------------------- bridge Bb Am C G Bb Am F

^Bb ^Am ^C Look into my e^Gyes. they hypnot^Bbise. the li^Amghts, the drinks. let the^F music carry you away.

---- From: JamieWire@postmaster.co.uk Suspicion: verse (according to Peter buck himself) G Gm throughout Chorus: Am C D/F#m a few times, then C C/B D F F#m(maj7)/Eb Bmaj7 G can't you see I need nothing too deep. e-1--------------1-----------------1---------3--- b-1--------------2-----------------3---------3--- g-2--------------2-----------------2---------0--- d-3--------------3-----------------3---------0--- a------------------------------------------------ e------------------------------------------------ bridgeBb Am C G Bb Am F

^Bb ^Am ^C Look into my e^Gyes. they hypnot^Bbise. the li^Amghts, the drinks. let the^F music carry you away.

From: Trygve Sandven Håland (trygve@bitcon.no)

HOPE C you want to go out friday and you go forever you know that it sounds childish that you've dreamt of aligators you hope that we are with you and you hope you're recognized you want to go forever you see it in my eyes

I'm l^Fost in the confusion and it doesn't seem to matter you r^Ceally can't believe it and you hope it's getting better

you want to trust the doctors their procedure is the best but the last try was a failure and the intern was a mess and they did the same to Matthew and he bled 'til sunday night they're saying don't be frightened but you're weakened by the sight of it

you l^Fock into a pattern and you know that it's the last ditch you're t^Crying to see through it and it doesn't make sense but they're sa^Fying don't be frightened and they're killing alligators and they're h^Cog-tied and accepting of the struggle

you want to trust religion and you know it's allegory but the people who are followers have written their own story so you look up to the heavens and you hope to see a spaceship and it's something from your childhood you're thinking don't be frightened

you w^Emant to climb the ladder you want to see forever you w^Cant to go out friday and you want to go forever and you w^Fant to cross your dna to cross your dna with something r^Ceptile amd you're qu^Festioning the sciences and questioning religion you're lo^Coking like an idiot and you no longer care and you wa^Fnt to bridge the schism, a built-in mechanism to p^Crotect you and you're l^Fooking for salvation and you're looking for deliverance you're l^Cooking like an idiot and you no longer care you want to climb the ladder you want to go forever you want to go out friday you want to go forever

---- Lyrics: you want to go out friday and you want to go forever. you know that it sounds childish that you've dreamt of alligators. you hope that we are with you and you hope you're recognised you want to go forever you see it in my eyes. I'm lost in the confusion and it doesn't seem to matter you really can't believe it and you hope it's getting better you want to trust the doctors their procedure is the best but the last try was a failure and the intern was a mess. and they did the same to Matthew and he bled 'til sunday night they're saying don't be frightened but you're weakened by the sight of it you lock into a pattern and you know that it's the last ditch you're trying to see through it and it doesn't make sense but they're saying don't be frightened and they're killing alligators and they're hog-tied and accepting of the struggle you want to trust religion and you know it's allegory but the people who are followers have written their own story. so you look up to the heavens and you hope that it's a spaceship and it's something from your childhood you're thinking don't be frightened you want to climb the ladder you want to see forever you want to go out friday and you want to go forever. and you want to cross your dna to cross your dna with something reptile. and you're questioning the sciences and questioning religion you're looking like an idiot and you no longer care. and you want bridge the schism, a built-in mechanism to protect you. and you're looking for salvation and you're looking for deliverance you're looking for deliverance you're looking like av idiot and you no longer care. you want to climb the ladder you want to see forever. you want to go out friday you want to go forever. ---- From: David Wagner (wagner@mindspring.com) riff that pete plays over C and Em chords: B------------8--10---8-------8 G------10----------------10--- D--------------------------------- A--------------------------------- E--8----------------------------- and the riff that mike plays on the keyboard over the F chords: e-----------------10----8---7---------8---10 B---------------------------------10----------- G-----10--------------------------------------- D-10-------------------------------------------

From: Trygve Sandven Håland (trygve@bitcon.no) AT MY MOST BEAUTIFUL

(Play the G's with (320033) and the C's like (x32013)) F / Am / D / D7 G - F / A# G - F / A# G - F / A# - C (Chorus): F / Am / D / D7

^G I've f^Found a ^A#way to make you ^G I've f^Found a ^A#way ^G a w^Fay to m^A#ake y^Cou sm^File

(Verse):

^Am I read bad ^A#poetry i^Gnto y^Cour mach^Fine I save your m^Amessages ^A# just to hear your v^Goice You ^Calways l^Fisten careful^Amly to ^A#awkward rhymes ^G You ^Calways s^Fay your name, ^Amlike I wouldn't k^A#now it's you, ^Gat your mos^Ct beautiful

(Chorus): (do do do do...) I've found a way to make you I've found a way a way to make you smile (Verse): At my most beautiful I count your eyelashes, secretly with everyone, whisper I love you I let you sleep I know your closed eye watching me, listening I thought I saw a smile (Chorus): (do do do do...) I've found a way to make you I've found a way a way to make you smile D+--5---5--+--3---3--+--8---8--+--8--8---+ A+--5---5--+--3---5--+--8---8--+--8--8---+ * 2 E+--3---3--+--5---5--+--6---6--+--6--6---+ D+--5---5--+--3---3--+--8---8--+--10--10--+--3--+ A+--5---5--+--3---5--+--8---8--+--10--10--+--3--+ E+--3---3--+--5---5--+--6---6--+--8---8---+--1--+ ----- From: Erik Olsson (yngve99@hotmail.com) At my most beatiful - R.E.M. One of the many great songs from the new album, I just picked it out, believe it's correct. The bass notes on F/A and Bb/F sound a lot better if played on a real bass and/or a piano, but if you only have a guitar, I guess that's better then nothing... Chords used: F: 133211 Am: x02210 D: xx0232 Gm: 355333 Bb: x13331 C: x35553 (F/A:x03211) (Bb/F: 113331) Intro: F Am D Gm F/A Bb/F Gm F/A Bb/F Gm F/A Bb C F Am D

^GmI've^F/A found a ^Bb/Fway to make you ^GmI'v^F/Ae found a ^Bb/Fway ^Gm ^F/Aa way to^Bb make y^Cou

^Fsmile.^Am I read bad poetr^Bby ^Gminto your m^Fachine I save your messag^Ames ^Bbjust to hear your voice ^Gm You always listen c^Farefully ^Am to a^Bbwkard rhymes ^Gm You always say your^F name ^Amlike I wouldn't kno^Bbw it's you at y^Gmour most bea^Ctiful ^F ^Am ^D

^GmI've^F/A found a ^Bb/Fway to make you ^GmI'v^F/Ae found a ^Bb/Fway ^Gm ^F/Aa way to^Bb make y^Cou

^Fmine. ^AmAt my most beatifu^Bbl ^Gm I count you eyelash^Fes, secretly ^Am ^Bb ^Gm with every one, w^Fhisper I love you ^Am I ^Bblet you sleep ^Gm I know you're closed e^Fye watching me ^Am ^Bblistening I ^Gmthought I sa^Cw a smile^F ^Am ^D

^GmI've^F/A found a ^Bb/Fway to make you ^GmI'v^F/Ae found a ^Bb/Fway ^Gm ^F/Aa way to^Bb make y^Cou ^Fsmile.

Gm F/A Bb Gm F/A Bb Gm F/A Bb C F ---- Lyrics: I've found a way to make you I've found a way a way to make you smile I read bad poetry into your machine I save your messages just to hear your voice. you always listen carefully to awkwards rhymes. you always say your name. like I woulden't know it's you, at your most beautiful. I've found a way to make you I've found a way a way to make you smile at my most beautiful I count your eyelashes secretly. with every one, whisper I love you. I let you sleep. I know you're closed eye watching me, listening. I thought I saw a smile. I've found a way to make you I've found a way a way to make you smile

THE APOLOGIST

From: ROBERT OAG (Ppxrmo@nottingham.ac.uk) (NOTE: I'm not sure whether the second 'Am' is actually a 'C', as they both work. So I've put them both in). INTRO: | Am/Bm | Am(C)/Bm | Am/Bm | Am(C)/Bm | Am Bm Am(C) Bm Am Bm Am(C) Bm They call me the apologist, and now that I'm at peak, Am Bm Am(C) Bm Am Bm Am(C) Bm You know at first it really hurt, we joke about these things, Am Bm Am(C) Bm Am Bm Am(C) Bm I've skirted all my differences, but now I'm facing up, Am Bm Am(C) Bm Am Bm Am(C) Bm I wanted to apologise for everything I was, So,

^CI'm sorry, So s^Dorry, So sorry^F, So sorry, ^G ^CI'm sorry, So so^Drry, So sorry, ^F ^F

Am Bm Am(C) Bm Am Bm Am(C) Bm Did you understand me right' The people here are good. Am Bm Am(C) Bm Am Bm Am(C) Bm They tell me what I should have done, and offer what I could, Am Bm Am(C) Bm Am Bm Am(C) Bm I'm good, all is good, All's well, no complaints, Am Bm Am(C) Bm Am Bm Am(C) Bm When I feel regret, I get down on my knees and pray,

^CI'm sorry (So sorry), So sorry (So^D sorry), ^FSo sorry (So sorry), So sorry (So^G sorry), I^C'm sorry (So sorry), So sorry (^DSo sorry), ^F So sorry (So sorry), ^F

^CI live a simple ^Dlife, unfettered ^Fby complex sweets, ^G ^CYou think this isn't me' Don't ^Dbe weak, There I go. ^F ^F Am Bm Am(C) Bm Am Bm Am(C) Bm I'm so sorry,

Am Bm Am(C) Bm Am Bm Am(C) Bm Thank you for being there for me, thank you for listening, goodbye, Am Bm Am(C) Bm Am Bm Am(C) Bm Am Bm Am(C) Bm Am Bm Am(C) Bm I can forfeit selfishness, I hope for you that you apply, Am Bm Am(C) Bm Am Bm Am(C) Bm This happiness, This peacefulness.

^C I'm sorry (So sorry), So sorry (S^Do sorry), S^Fo sorry (So sorry), So sorry (So^G sorry), I^C'm sorry (So sorry), So sorry (^DSo sorry), ^F So sorry (So sorry), ^F

^CI live a simple ^Dlife, unfettered ^Fby complex sweets, ^G ^C You think this isn't me' Don't^D be weak, There I go. ^F ^F Am Bm Am(C) Bm Am Bm Am(C) Bm I'm so sorry,

Am Bm Am(C) Bm Am Bm Am(C) Bm Thank you for being there for me, thank you for listening, goodbye, Am Bm Am(C) Bm Am Bm Am(C) Bm Am Bm Am(C) Bm Am Bm Am(C) Bm ------ Solo: Tabbed by Chris Lawrence (mustang@islandnet.com) Use finger vibrato on most of the notes.. E--------------------------------------- B--------------------------------------- G--2--4--5---12-11-9/7-9---7-5-5/7-5-4-- D--------------------------------------- A--------------------------------------- E--------------------------------------- E------------------------------------------ B------------------------------------------ G--2--4--5---12-11-9/7-9---7-5-7b-7b-7^5-5- b = bend D------------------------------------------ ^ = pull-off A------------------------------------------ E------------------------------------------ then stipe begins singing the "i live a simple life" part, and the solo continues.. E--------------------------------------------------------------------- B--------------------------------------------------------------------- G--7\9-7--9-7-10--7--10\12-12--9-10/----5--7\9-7---7-10--7--10\12-12b- D--------------------------------------------------------------------- A--------------------------------------------------------------------- E--------------------------------------------------------------------- ---- THE APOLOGIST tabbed by miKe. (ericseis@hotmail.com) [second half of solo from Chris Lawrence] This is a cool song played mostly by jamming on Am (open or fifth fret). Just pile on the distortion and hit single or pairs of strings in the chord pretty much at random. As long as you keep the 'feel' of the song you can't go far wrong. Near the end of the song, as things lose what little definition they had, just attack the Am(V) and interject with little riffs and jams. Little Riffs: e|--7-8b-7-5----5---- or e|--7-8-/11-- perhaps e|-5-5-5-5-5-5-5--- b|-----------8-(5)--- maybe b|----------- this b|-5-5-5-5-5-5-5--- Am riff: (this is the odd organ backing) g|--6-8--6/8/6-- d|--7-9--7/9/7-- End riff: (this is the riff that gets played in the final 'bridge') g|------4--4-5 d|--7--7------

^AmThey call me the apologist, and now that I'm at peak, You know at first it really hurt, we joke about these things, I've skirted all my differences, but now I'm facing up, I wanted to apologise for everything I was, so,

^CI'm sorry, ^DSo sorry, ^FSo sorry, ^GSo sorry, ^CI'm sorry, ^DSo sorry, ^FSo sorry,

Am (+Am riff) Did you understand me right' The people here are good. They tell me what I should have done, and offer what I could, [break] I'm good, all is good, All's well, no complaints, Am (+Am riff) When I feel regret, I get down on my knees and pray,

^CI'm sorry (So sorry), ^DSo sorry (So sorry), ^FSo sorry (So sorry), ^GSo sorry (So sorry), ^CI'm sorry (So sorry), ^DSo sorry (So sorry), ^FSo sorry (So sorry),

Solo: e|---------------------------|---------------5----------------- b|-------8-7-5---5-----------|-------8-7-5---5----------------- g|---4-5-------7---7-5-7-5-4-|---4-5-------7---7-5-7b-7b-7p5-5- d|-7-------------------------|-7------------------------------- this part is played under the "I live a simple life") b|-----------------------------------|----------------------------- g|-7/9-7--9-7-10--7--10/12-12--9-10/-|-5--7/9-7--7-10--7-10/12-12b- d|-----------------------------------|-----------------------------

^CI live a ^Dsimple life,^F unfettered by ^Gcomplex sweets, ^CYou think this isn't ^Dme' Don't be ^Fweak, there I go.

Am(V) I'm so sorry, Thank you for being there for me, thank you for listening, goodbye, [with little riffs] I can forfeit selfishness, I hope for you that you apply this happiness, this peacefulness, this peacefulness.

^CI'm sorry (So sorry), ^DSo sorry (So sorry), ^FSo sorry (So sorry), ^GSo sorry (So sorry), ^CI'm sorry (So sorry), ^DSo sorry (So sorry), ^FSo sorry (So sorry),

^CI live a ^Dsimple life,^F unfettered by ^Gcomplex sweets, ^CYou think this isn't ^Dme' That's so ^Fsweet, there I go.

Am(V) (with little riffs and End riffs) I'm so sorry, Thank you for being there for me, thank you for listening, goodbye. [end on picking up through the open Am]

SAD PROFESSOR

From: JamieWire@postmaster.co.uk Here's the correct version as played by Mike Mills on Rockpalast. Tuning - some kind of open D. E (bass string) A D A D D (treble string) Performance notes: the double tuning of the 'b' and the 'e' to get two 'd' notes gives a really ethnic kind of drone. Mike has strong hands - this song is not easy to play unless you're a barre master! Mix up and down strokes. Listen to the rhythm - these are the notes but they're tabbed wrong! verse structure: D G D A

d-^D0-0-0-0-0-0-0-0-^G5-5-5-5-5-- d-0-0-0-0-2-0-2-5-5-5-5-5-5-- a-0-0-0-0-0-0-0-0-5-5-5-5-5-- d-0-0-0-0-0-0-0-0-5-5-5-5-5-- a-0-0-0-0-0-0-0-0-5-5-5-5-5-- e---------------------------- D A

d-0-0-0-0-0-0-0-0-7-7-7-7-7- d-0-0-0-0-2-0-2-5-7-7-7-7-7- a-0-0-0-0-0-0-0-0-7-7-7-7-7- d-0-0-0-0-0-0-0-0-7-7-7-7-7- a-0-0-0-0-0-0-0-0-7-7-7-7-7- e--------------------------- pre-chorus:

d-^G5-5-5slide^A7-7-7-^F3-3-3--- d-5-5-5--/--7-7-7-3-3-3--- a-5-5-5--/--7-7-7-3-3-3--- d-5-5-5--/--7-7-7-3-3-3--- a-5-5-5--/--7-7-7-3-3-3--- e-------------------------

chorus: this bit's cool! G A G D d-----------------------0-0-0-0--- d-----------------------0-0-0-0--- a-5-----7-7-7-7-5-------0-0-0-0--- d-5slide7-7-7-7-5-4-5-4-4-4-4-4--- a-0-----0-0-0-0-0-0-0-0-5-5-5-5--- e--------------------------------- ----- From: DJ Allan (djgreedo@hotmail.com) Only 4 chords: D (open) A(barre) G(barre) F(barre) )(E-shaped barres) The transitions from A-G and G-A and A-F are usually slides. In the chorus the song skips two beats (after 'i started a chapter' and 'everybody hates a drunk') so be careful. If anything's wrong, correct it and curse me for being incompetent. sad professor VERSE:

^DIf we're talking about^G love, Th^Den I have to ^Atell you Dear read^Ders: I'm not s^Gure where I'm headed, ^DI've gotten ^Alost before

PRE-CHORUS:

^GI've woke up ^Astone drunk face ^Fdown in the floor CHORUS: ^G ^ALate afternoon the ^Ghouse is ^Dhot ^G ^AI started,^G I jum^Dped up ^G ^AEveryone h^Gates a ^Dbore,^G E^Averybody ^Ghates a ^Ddrunk

VERSE:

^DThis may be a lip in^Gvention ^DProfessors muddled in th^Aeir intent ^DTo try to rope in f^Gollowers To^D float they're ^Amalcontent

PRE-CHORUS:

^GAs for this, ^Areader, I'm ^Falready spent CHORUS: ^G ^ALate afternoon the ^Ghouse is ^Dhot ^G ^AI started,^G I jump^Ded up ^G ^AEveryone hates a ^Gsad profe^Dssor,^G ^AI hate where ^GI wound ^Dup

BRIDGE: VERSE CHORDS VERSE CHORDS: Dear readers, my apologies I drifted in and out of sleep Long silence presents the tragedies of love Look the age, get afraid. The surface hazy with attendant thoughts PRECHORUS CHORDS: A lazy eye metaphor on the rocks CHORUS CHORDS: Late afternoon the house is hot I started a chapter. Everyone hates a bore Everybody hates a drunk. Everyone hates a sad professor I hate where I wound up, I hate where I wound up